Le Comptoir’s latest offering needs more than fancy packaging to revamp fusion Japanese cuisine
After the success of Ecriture, where premium ingredients speak as high as the great techniques of Maxime Gilbert, Le Comptoir went on to open Silencio, another art-oriented restaurant after Bibo. Taking space within the former LKF Hotel complex with neighbours such as Cassio, Buenos Aires Polo Club, and Carbone, the space that formerly housed Lily & Bloom is now a fancy fusion Japanese restaurant with an art theme and nightly live jazz.
Silencio’s interior is a monochrome black space, with golden accents weaved in throughout. The restaurant takes over a narrow strip with an expansive open kitchen, with high stools set on the other side offering a full view and opportunities for interaction between chefs and the guests. At the end of that room is a small corner where the jazz band plays. The establishment is embellished with the neo-expressionistic style of modern art by Tokyo-born artist Tomoo Gokita, including his notable 2015 work Club Mature as the focal point of the restaurant.
Taking the helm of the kitchen brigade is chef Sean Mell, an alumnus of Nobu Hong Kong who is no stranger to executing Japanese-Peruvian cuisine. Inventive as it may sound, Silencio’s menu bears striking resemblance to that of Nobu, where sashimi, sushi rolls, and mains get a twist. We began our dinner with the Onsen Egg, Silencio’s version of Caesar salad. Crisp baby gem lettuce is beautifully dressed with a yuzu dressing and salmon roe house-smoked with cherry wood. The soft onsen egg was stirred and mixed into the salad tableside, an Instagrammable egg-porn moment for many guests. The lettuce was crisp, and the light smokiness of the salmon roe added richness to the starter.