Cover Rom Sangkavatana in his family home located in Ari, Bangkok (Portrait photography: Chris Kanisorn)

A lifetime in the making, Gen.T honouree Rom Sangkavatana’s family home in Bangkok is a sleek, art-filled haven that celebrates authenticity

For as long as Rom Sangkavatana can remember, he always had a drive to create. “Since I was little, I wanted to express myself, and I did that mostly through art and design,” says the Bangkok-based creative director of Rom Design, who is also the founder of Townhouse Space, a talent agency, concept store and gallery.

Any Asian from a conservative family can probably relate to the fact that a career in the arts isn’t always encouraged. For Sangkavatana, whose family is involved in property and aviation businesses in Thailand, there was an expectation that he would follow a traditional professional path.

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Above Rom Sangkavatana (Portrait photography: Chris Kanisorn)
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Above Glass windows open up the house to the outdoors and enhance its connection to the garden (Photo: Thanawatchu)

“I think I was lucky that they allowed me to go on this risky journey,” he says about his parents being supportive of his decision to pursue a creative career. His design journey started in earnest as a student at the prestigious Central St. Martins in London, where he studied graphic design. He also earned a Master’s Degree from The Bartlett, University College London, and spent some time working in the UK and in France. Living in Europe was a formative period in his life, and this experience continues to influence his work and outlook.

Upon returning to Bangkok in 2011, Sangkavatana decided to focus on branding at a time when the industry was in its infancy in Thailand. “Design is the output of art and commerce—it requires a lot of logical thinking. Branding is often about solutions, not just marketing,” he says. His eponymous firm offers everything from brand identity to artistic direction and content creation. To date, it has worked on One Nimman in Chiang Mai, Amoma in Japan and, most recently, Soho House in Bangkok. Sangkavatana is also a newly minted music artiste who released two songs in 2022; he is currently working on another track to be launched this year.

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Above A Louis Poulsen PH 4/3 pendant lamp adds a vintage touch to the dining area (Photo: Thanawatchu)
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Above Two Philippe Starck Mi Ming chairs—Sangkavatana’s favourite pieces of furniture—visualise the combination of past and present he tried to achieve in the home (Photo: Thanawatchu)

All these varied experiences came into play in Sangkavatana’s most personal project—his home. He knows every square inch of the house having grown up in it and, in a way, both he and his mother had their whole lives to think about what to do to their abode before embarking on its transformation. “My mother [originally] wanted a U-shaped house with a pool, inspired by her time in California. When she came home from the US, my father had already built the house, so she had to live with this frame for a long time.”

When the family decided it was finally time for a change, they consulted an architect to propose ideas on how to modernise the home. A design was finally agreed upon, which entailed knocking down the original structure and erecting a completely modern building.

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Above The family kept the architectural shell of the original house intact in tribute to Sangkavatana’s late father (Photo: Thanawatchu)

The untimely passing of his father, however, crystallised the next chapter. Instead of starting from scratch, both Sangkavatana and his mother decided to retain what his father had built and preserve its soul while refreshing it with new ideas. “It was too much change at one time, so we thought a renovation was more suitable.” Sangkavatana undertook all aspects of the renovation—the architecture, interior design, styling and even the art curation.

The house is located in Ari, a neighbourhood that is equal parts hip and posh. “Ari is a bit like South Kensington in London. There are lots of politicians and aristocrats who live here, but at the same time it’s become gentrified so it also has sort of a Daikanyama feel,” he shares. Its proximity to the palace also ensures that no building can be over eight stories high, preserving the verdant and relaxed ambience of the area.

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Above Close-up details of the coffee table decor (Photo: Thanawatchu)
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Above A playful mix of heirlooms and modern additions jazzes up the living area (Photo: Thanawatchu)

This explains why the home has always felt like a hidden gem in the concrete jungle. Sangkavatana emphasised the importance of the garden, treating it like an extended living space by adding a fish pond that wraps around the home; much like a moat around a castle. This has become his favourite place, where he enjoys il dolce far niente—what the Italians call the “sweetness of doing nothing”. “It’s very calm and quiet here. I love sitting by the pond and looking out at the big trees in the garden at sunset.”

In terms of interiors, Sangkavatana went for a pared-back approach to get that Bauhaus-inspired look his mother had desired all those years ago. He placed glass windows in targeted areas to bring in more natural light, and opened up the spaces to create a better flow inside. His improvements seamlessly blend with the original building such that it doesn’t look like much was changed at all. “It took m two years to slowly get everything together. I wanted it to be authentic to how we live and keep the stories within the walls,” he says.

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Above A beautiful assortment of flowers adds a rosy touch to the home (Photo: Thanawatchu)
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Above Details of the sofa and monochrome Painting by Aphisit Sidsunthia (Photo: Thanawatchu)

The reinvigorated, minimalist shell makes for an ideal canvas for a thoughtful assemblage of furniture, art and heirlooms. The old dining table and rattan chairs from his childhood are juxtaposed with new lighting and art. An intricate piece featuring a mother-of-pearl inlay from his grandparents and an orange vase from his father also take pride of place in the house. This mix of old and new gives the space an effortless, lived-in look while representing Sangkavatana’s personal taste through the art.

It’s no surprise that Sangkavatana is using his home as a platform for emerging artists and designers. “When I first came back from Europe, I noticed that most creatives in Bangkok stuck to the same closed group. At Townhouse, I want to create connections,” he says. Apart from exhibiting the work of new local talents, he is also helping them break into the international scene, and recently staged a show in Korea.

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Photo 1 of 3 Enlivened by its orange doors and furnishings, the leisure room features artworks such as a photo by Ten Pannatat (Photo: Thanawatchu)
Photo 2 of 3 A portrait painting by New York-based Thai artist Pok Pairoj Pichetmetakul hangs above the piano (Photo: Thanawatchu)
Photo 3 of 3 A pair of exposed concrete piles adds a rugged touch to the open-plan kitchen, which features islands that reference the original ceiling design (Photo: Thanawatchu)

Another parallel between Townhouse Space and his own home is that they’re both old houses given a new lease of life. A point of difference, however, is that his home remains quite private—although perhaps not for long. A casual lunch with the director of Art Basel Hong Kong at his home sparked an idea: to create a small museum in the garden. He’s calling it House Museum, and he says this initiative will complement his work at Rom Design and Townhouse Space once it launches later this year. “The more people I bring here, the more I learn about space, which is strange because I’ve lived in this house my whole life. It made me realise that places of character like this should be shared, so I’m slowly opening its doors.”

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Above A colourful, ultra-textured painting by Chayanich Muangthai, which Sangkavatana describes as “cake-like”, catches the eye in the dining area (Photo: Thanawatchu)

Credits

Photography  

Thanawatchu (interior photography)

Photography  

Chris Kanisorn (portrait photography)

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