Multimedia artist Awol Erizku wants his art—and his music—to flip conventions. He talks to us about his first solo show in Asia
Awol Erizku is working on the mixtape for his next show when I call him in his Los Angeles studio. The 29-year-old multimedia artist makes what he calls conceptual mixtapes for all his exhibitions, and he’s currently debating whether to include a recording by experimental producer Yves Tumor of a New York ambulance rushing past 42nd street and Times Square overlaid with drums.
American rapper Rich the Kid’s Plug Walk is also on his radar, as are a couple of songs by Kendrick Lamar. “I probably won’t decide the final tracks till a few days before the show,” he says. “I always try to think of the viewers, but also the place—what kind of city, museum or gallery I’ll be presenting in. It’s a constant work in progress.”
In this case, the place is Hong Kong, where Erizku’s first solo exhibition in Asia is now drawing fans to Ben Brown Fine Arts. Titled 慢慢燃燒Slow Burn, it features a group of seven new light works that draw on both his previous experiments with neon and the iconography of Hong Kong’s own neon-lit streets and skyline.
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It is Erizku’s first show exclusively focused on this specific medium. “Hong Kong is an incredibly condensed metropolis,” he says, “and lights are such a big part of it. There’s neon everywhere. I found that quite interesting, as it’s something we’re losing in the States. I remember that as a child in New York, I was used to my local bodegas and liquor stores having neon lighting out on their store fronts, but that’s disappeared over the years, or shifted into LED lighting, which doesn’t quite hold the same aesthetic value. Part of me wanted to comment on that through this show. But I also wanted to explore light works in a deeper way.”