The brand’s creative director for jewellery tells Tatler why he turned to the dark side for the Hermès high jewellery collection Les Jeux de l'Ombre
Pierre Hardy does like to do things differently. In the world of jewellery, where the standard “Four Cs”—cut, clarity, colour and carat—are metrics used to measure how brilliantly gemstones shine, only he would decide to create a high jewellery collection for Hermès inspired by the darkness of shadows.
“We always talk about light and sparkle in jewellery, so I wanted to take the opposite approach,” said Hardy, who is the brand’s creative director for jewellery. “In the performing arts, I’ve always loved the incandescent effect of the spotlights as well as the shadows they cast onto the stage floor. I find this distortion of light very appealing. The collection is a response to this desire: to poeticise the form taken by shadows.”
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This collection, named Les Jeux de l’Ombre (games of shadows), was launched in Shanghai in late April, and in true Hermès style, the pieces were unveiled after an artistic performance. In this case, it was a musical performance that began with hushed whispers and crescendoed to layered, multi-part singing, as the performers moved in and out of the spotlight and between a curtain lit in rich, gem-like hues.
It was an audio and visual representation of the jewellery pieces, which feature stones—sometimes rough-cut, and ranging from diamonds and sapphires to moonstones and tourmalines—set against a “shadow”, often a deep black canvas of black jade or titanium.