The director of Massimo De Carlo in Hong Kong reflects on the challenges of showing large sculptures in the city's pint-sized galleries and reveals which artist the gallery is showcasing next
It's hard to believe Massimo De Carlo gallery in Hong Kong has only been open three years. Since it launched with an exhibition of portraits by Mainland Chinese artist Yan Pei-ming, it has impressed both the public and collectors with a string of thought-provoking shows featuring everything from monumental sculptures by American artist Doug Aitken to videos by Hongkonger Lee Kit and paintings by Ai Weiwei.
Leading this ambitious programme is Claudia Albertini, who was a fan of De Carlo's long-established galleries in Milan before she took the reins of his first gallery in Asia. Here, Claudia recalls what sparked her interest in art and introduces a trio of Mainland Chinese artists who have recently joined Massimo De Carlo's roster.
See also: Hong Kong Artist Wong Ping Opens Major Exhibition In London
What was the first work of art that moved you?
Being Italian, art has always been at my doorstep—in my case, literally. My great-aunt was an artist and she used to live above our flat, so I spent a lot of time in her studio as a kid. Art for me was always about fun—my great-aunt used to produce very colourful art. And my house and my grandparents' house was full of art.
My interest in Asian art came later. I moved to Venice for university and started studying Chinese, which opened a whole new chapter in my life when I studied Chinese and Asian classical art.
Contemporary Chinese art was really taking off in those days and there wasn’t anything written about it at the time, so I thought, “OK, I need to go to China.” I managed to move to Beijing in 2004 and that was the beginning of a very wonderful experience. I was very lucky to meet most of the well-known Chinese artists and I kept learning and growing my knowledge about art through them. I spent a lot of time with Ma Liuming, one of the most well-known artists for his performances, and the late Cui Xiuwen.